戦争 SEN/SOU (- the act of war) 戦争 SENSOU / the Element of Crime by the denial.of.service out now on mighty fine 12'' vinyl (+ glow-in-the-dark sleeve) via FILM /Berlin. preview > https://soundcloud.com/filmchen/sets/film003-denial-of-service-1 _review > http://testpressing.org/2015/11/denial-of-service-%E6%88%A6%E4%BA%89-sensou-film-recordings/ music & visuals by the denial.of.service ©2014 http://www.facebook.com/dof.service https://www.facebook.com/futureislisteningmusic/ music video for one of my latest tracks called SENSOU, consisting of audio synced cuts, created via various image destruction/decimation techniques incl. simulated slit-scans, extreme timestretching, displacement, datamoshing and scripted luma-based offsets. displacement - the reordering and rearrangement of the body datamosh - the obliteration of being across anthropomorphic strata a collection of paraphilic dreamscapes via pornographic elements of war & horror. pornography as atrocity imagery (of a different perspective). desire, consumption and information - visual decimation as dissection. fetishistic fragmentation - recreation, leisure and death. death of affect - dissociation and responsibility. chasms of the body - recalibration of physiology. "violence, like pornography, is some kind of an evolutionary standby system, a last-resort device for throwing a wild joker into the game" JG Ballard "the human organism is an atrocity exhibition at which he is an unwilling spectator ..." JG Ballard 1990 "photography has done at least as much to deaden conscience as to arouse it" Susan Sontag 1977 --------------------------------------------------------------------------------------------- they found her up in the coal - they're bringing her down now here comes a candle - to light you to bed here comes a chopper- to chop off your head chip, chop, chip, chop - the last one's dead it's incredible. Europe lies dormant.. there's a man with a horse harnessed to a wagon the wagon loaded with apples very peaceful... - the element of crime /Lars von Trier 1984 - 'oranges & lemons' nursery rhyme --------------------------------------------------------------------------------------------- i choose Hell .. hell .. is my - preference hell .. is my - natural - habitat - (the man) under the volcano /Malcolm Lowry 1947

mashup of footage sequences (and outtakes) I'd created last May for director Barnaby Roper (Cadence NY) / CFDA Fashion Awards 2015 in NYC editors : Conor McBride and William Town very special thanks to Dan Carter and to all at ModernPostNYC all the 3DPlexus & displacement sequences were created with Mettle's FreeForm Pro for After Effects the rest of the treatments & pixel sorts were manually done in C74 Processing and Python incidental original audio courtesy of the denial.of.service ©2015 project & event created in collaboration with Swarovski

audio by George Apergis video by the denial.of.service for /www.modularexpansion.com GEORGE APERGIS - EKHOWAX (NX1, TRUNCATE, BIRTH OF FREQUENCY REMIXES) © Modular Expansion records 2013 Ekhowax is the second personal release of George Apergis (owner of Modular Expansion records). Available in a limited 12" vinyl, Ekhowax expands the artists' club vision of his early detroit releases into a dub techno territory, filled with dark atmopsheres and a crowd pleasing vocal. The release inludes 3 massive remixes, the first one being the remix from the dynamic Spanish duo NX1, that go darker with their pumping futuristic revision. The second remix comes from the legendary Truncate aka Audio Injection, who creates the perfect club tool with his unique US Chicago style, an instant hit. The release is sealed with the deep minimal and melodic cover, from the upcoming Paris artist Birth of Frequency (of Construct Re-Form crew). Supported By: Juan Atkins, Josh Wink, Laurent Garnier, Nina Kraviz, Chris Liebing, Richie Hawtin, Damon Wild, Ben Sims, Jeroen Search, Mark Broom, Technasia, Mikael Jonasson, The Advent, Umek, DJ Hyperactive, DVS1, Micol Danieli, Dave Tarrida, Paul Brtschitsch, Alex Bau, Tommy Four Seven, Rebekah, Developer, Bas Mooy, Advanced Human, Francois X, Space Djz, Speedy J, Slam, Billy Nasty, Alan Fitzpatrick, Perc, Pig & Dan, Raffaelle Attanasio, Johannes Volk, Lee Holman, Diego Hostettler, Thomas Hessler, Unam Zetineb, Mark Morris, Perc, Pfirter, Ben Gibson, Mirko, Patrick Lindsey, Kabale und Liebe, Spartaque, Anderson Noise, Michel De Hey etc A1. Original Mix A2. NX1 Remix B1. Truncate Remix B2. Birth Of Frequency Remix Written and produced by George Apergis & Alex Retsis for Modular Expansion, Athens 2013 Video: Inorganic Being aka Denial of Service Artwork: wedonotcare.com Mastering: Dubplates & Mastering CAT NUM: ME002 FORMAT: ARTISTIC LTD 12" & DIGITAL BUY VINYL JUNO http://www.juno.co.uk/products/497918-01.htm DECKS http://www.decks.de/t/george_apergis-ekhowax/c1q-9w BUY DIGITAL @BEATPORT http://www.beatport.com/release/ekhowax/1122226

David Bowie - LOVE IS LOST 'Hello Steve Reich' remix by James Murphy / LCD Soundsystem Label: ISO / RCA Records Production Company: Black Dog Films Director: Barnaby Roper Executive Producer: Coleen Haynes DP: Santiago Gonzalez Assistant Camera: Tim Romero DIT: Dai Yoshida and Nick McCann Lighting Assistant: Christian Larsen Producer: Richard Hutchins Production Manager: Doug McCafferty Director Rep @ Cadence NY: Neil Cooper Editorial: Modern Post NYC Editor: Matt Nee Producer: Seema Naik Post Production: Industrial Color Animators: Joe White, Boris Coyere 3D Scanning: Direct Dimensions CGI Artists: Geoffrey Pons, Harry Martis CGI Artists: Stephen Hallquist and Sam Blalark Producer: James Demetri Models: Dorothea Barth-Jorgensen @ Elite NYC, Reid Prebenda @ Wilhelmina Men Hair/Make-up: Valery Gherman @ Art Department

this took four months of formula experimentations and over 1000 hours of combined rendering via open source raytracers to complete. also check out its sibling for the-side track "THE INKLING" at https://vimeo.com/76123151 audio by EXTRAWELT video by denial.of.service Traum Schallplatten V168 © 2013 http://www.facebook.com/dof.service http://vimeo.com/doservice http://soundcloud.com/states http://www.facebook.com/inorganic.being http://www.d-os.org http://www.facebook.com/pages/Extrawelt/25842915423 http://soundcloud.com/extrawelt-official http://www.discogs.com/artist/Extrawelt http://www.traumschallplatten.de http://soundcloud.com/traum-schallplatten

yet another fractalscape eco-exploration synced to the music of Arne Schaffhausen. this is the second and final video for the new single by Extrawelt. "The Inkling" is a much more streamlined affair in terms of the fluidity of (scripted) motion. also check out "extrawelt - BREEDLE (Official Video)" | Vimeo STAFF PICK @ https://vimeo.com/75846005 audio by EXTRAWELT video by denial.of.service Traum Schallplatten V168 © 2013 http://www.facebook.com/dof.service http://vimeo.com/doservice http://soundcloud.com/states http://www.facebook.com/inorganic.being http://www.d-os.org http://www.facebook.com/pages/Extrawelt/25842915423 http://soundcloud.com/extrawelt-official http://www.discogs.com/artist/Extrawelt http://www.traumschallplatten.de http://soundcloud.com/traum-schallplatten

"We knew the world would not be the same. A few people laughed... A few people cried... Most people were silent. I remembered the line from the Hindu scripture the Bhagavad Gita; Vishnu is trying to persuade the prince that he should do his duty, and to impress him takes on his multi-armed form, and says, "Now I am become death, the destroyer of worlds." I suppose we all thought that, one way or another. " Robert Oppenheimer was the director of the laboratory in Los Alamos, New Mexico, and the scientific director of the Manhattan project. Since so many talents were involved it's somewhat misleading to call him "the father of the nuclear bomb", but he undeniably made one of the major individual contributions. In an interview from 1965, Oppenheimer describes the initial reactions as the fruit of their labors, the very first nuclear bomb (the Hiroshima bomb was the second one), detonated early in the morning of July 16, 1945: The quote was something he thought, but he didn't say it. The quote is indeed from the Bhagavad Gita ("Song of the lord"). Some suggest it's a misquote, which would explain the peculiar grammar; but "am become" is not an error but a (poetic) archaism, as in "I am become a name, for always roaming with a hungry heart" (Tennyson, Ulysses). Which in turn might be a trace of French; "Je suis devenu la mort". Since Oppenheimer was proficient in sanskrit he read the original text, and the translation is his own; I haven't found any other translation with "am become". It certainly gives a certain something to the line, however, and it might had been at least somewhat less well known had it been "I am death" or "I have become death".

here's the (5 years overdue) video for the track 'Kinnex' by Funckarma. - original release on 'Vell Vagranz' n5MD ‎-- CATMD164 05 Nov 2008 - a couple of days ago i accidentally discovered the project files i'd started preparing for Funckarma back in 08 and decided to attempt a few renders and a bit of compositing in order to produce a somewhat valid presentation. unfortunately, due to the insufficient durations the renders, i was forced to edit down this by almost one minute. http://www.funckarma.com http://twitter.com/funckarma http://www.discogs.com/artist/Funckarma http://soundcloud.com/funckarma

short ident for our new creative habitat 'Les Yper Yper' http://www.facebook.com/lesyperyper

experimental audio/visual project for the 3rd ICTVC also on exhibit at the Lycée Français of Thessaloniki. a conceptual exploration comprising synthetic speech, electronic sound, video and photography. produced & released as a Limited Edition DVD by AlterVision in 2007. all the video shots & principal photography by JK (http://vimeo.com/johnkarabelas/) all the code work and video manipulation/ mograph & post work, as well as, all the speech synthesis & music by myself. sleeve & packaging design by AlterVision. you might still find remaining copies of the L.Ed. physical release left over at the Lotus Record Shop (http://www.lotus.gr) http://www.mic.gr/news.asp?id=13590

https://soundcloud.com/states/redcross_redcrescent-alternate-version buy here > https://alfamatrix.bandcamp.com/album/endzeit-bunkertracks-act-7-the-bonus-tracks this is the visual accompaniment to my recently resurrected & massively re-worked 'Red.Cross_Red.Crescent" track (originally intended as the visual counterpart for the live gigs). i understand that this probably ain't most people's cup of tea, yet, i'm stepping away from the usual fare a bit, as there's no more than a few seconds of pure CG. found current (and not so current) affairs footage was retrieved mostly from darknet sources (although most of the material was way too gruesome to include in its entirety) and then datamoshed, displaced and glitched in any suitable way, to be essentially cut in sync to the rhythm. a live rendition of the track may be downloaded in lossless from my Bandcamp over at : https://doservice.bandcamp.com/album/totentanz-official-bootleg

a Plexus sound reactive experiment one instance of the Plexus plugin + Particular driven by the audio via Soundkeys. music : Goldberg Variations Bwv 988: Aria - Da Capo performed by Glenn Gould

official music video for the highly acclaimed vintage electronics track "Zeitgeist" by NÖVÖ (Laurent Boudic) GenCom Produkts / Alfa-Matrix records ©2014 a diversion. there ain't much CG here, but a rapid succession of surgically synced processed cuts, spiced with relevant THX overlays. This is intended as a psycho-socio-political commentary. The raw materials were retrieved from a multitude of sources, in order to reflect ideas indicated by the soundtrack. Starting off with themes of cold sensuality, psychotropy & human experimentation, all the way through, to current and decade old politics, war, contemporary Jihad, global disasters (Fukushima, the garbage situation, 3rd world famine, pollution, the Ebola epidemic) and most prominently the austerity riots in many European countries (as well as in Ontario Canada and the Occupy Wall str. movement). All of these, interspersed with brief Masonic, Goldman Sachs and Bilderberg footage. Zeitgeist EP purchase link : https://alfamatrix.bandcamp.com/album/zeitgeist-ep 25% loyalty discount code : november834742 https://alfamatrix.bandcamp.com/album/zeitgeist-ep Laurent Boudic : http://www.gencomprodukts.com https://www.facebook.com/laurent.boudic https://www.soundcloud.com/gencomprodukts http://www.youtube.com/user/gencom http://www.reverbnation.com/laurentboudic denial.of.service: https://www.facebook.com/dof.service https://soundcloud.com/states https://doservice.bandcamp.com https://twitter.com/densityofstate https://www.behance.net/states http://d-os.org

here is a quick montage made of the various renders which i'd created as per request by director Barney Roper (Black Dog Films RSA / Cadence-NY) and ModernPostNYC in order to be used on the BANKS | Brain music video. these were all created entirely within After Effects with the Mettle Suite of plugins - apart from a few static displacement maps for the cg terrains which were created in 3DS Max & Fragmentarium - i am presenting a few of these here as out of the dozens of the motion-graphics sequences i'd prepared, only a few made it on final cut unfortunately, whilst most of the geometrics were mangled via the "caleidoscopic" processing afterwards. my deepest gratitude to Chris & Nancy @ Mettle whose help, generosity and support have been invaluable for the completion of this project. - i obviously mucked about with the actual track as much as i could, whilst retaining the original character in order to avoid any copyright-related troubles ...

DREAM_AGENT is taken from KORE KOSMOU, a collaborative album between ARIEL ELECTRON, HOLEG SPIES and THIERRY GOTTI feat. Jon Klein (Siouxsie & The Banshees, Specimen), East Bay Ray (Dead Kennedys), Patrick Savage (Royal Philharmonic Orchestra) and Johnny Deluxe. technicalities : point clouds, motion captures & some 3D scans with MS Kinect v1 and the Brekel applications. (some forestry point cloud data derived by 3D-tracking in PFTrack and directly exporting) PC visualisations w/ Trapcode Form - 3D scan & displacement w/ Mettle Freeform Pro AE liquids (oil in water) scanned with Kinect and imported in PFlow so as to drive FumeFX voxel grids. all 3D fluid renders 3DMax/Vray. all glitching w/ Ruby / Python - pixel sorts w/ C74-Processing. all edits & post in After Effects. KORE KOSMOU album releases and remixes Limited American CD Deluxe Edition / Holwin'Wolf Records (Feb.2015) Digital Japanese Deluxe Edition / Wakyo Inc. (Oct.2015) Mixed and produced by Holeg Spies between 2012/2014 Published by London Metropolis Group All visuals* by the Denial of Service ©2015 * with the exception of processed liquid sequences sourced from the incredible work done by Nano Projections https://vimeo.com/nanoprojections & https://soundcloud.com/bionano http://www.kore-kosmou.com/ https://www.facebook.com/pages/Kore-Kosmou/595200213847786 https://www.facebook.com/dof.service https://www.behance.net/states https://soundcloud.com/states https://www.mixcloud.com/palmer-eldritch/

Gabi Delgado - HAUSARREST official music video for the new single by the legendary one-half & voice of DAF purchase link : http://club.gabidelgado.com/9031 ©2015 Oblivion (SPV) visuals ©2015 denial.of.service https://www.facebook.com/GabiDelgadoLopezOfficial http://gabidelgado.com http://www.discogs.com/artist/23762-Gabi-Delgado https://soundcloud.com/gabi-delgado https://www.mixcloud.com/gabi-delgado/gabi-delgado-live-radio-edition-four/ https://www.facebook.com/dof.service https://soundcloud.com/states https://www.mixcloud.com/palmer-eldritch/ http://d-os.org/

TRIPP by UNKNOWN ARCHETYPE / Roxy Tripp, Oliver Kučera Mastering : Hardgroove Mastering official promo video by the denial.of.service © 2016 https://www.facebook.com/UnknownArchetype/ https://www.facebook.com/dof.service/ - TRIPP radio edit: https://soundcloud.com/unknownarchetype/unknown-archetype-tripp-radio-edit - UNKNOWN ARCHETYPE on Soundcloud: https://soundcloud.com/unknownarchetype ---------------------------------------------------------------------------------------------------------------------------------------------------------------- Delaunay triangulations & Voronoi diagram tessellations (centroids driven by luminance) were carried out in P55 with the use of toxiclibs library (voronoi class). Inspired by Golan Levin's 'Segmentation & Symptom' (2000) & the experiments /computational artwork of Diana Lange, Robert Hodgin, Raven Kwok, Jon McCormack etc. Node-interacting particles by Trapcode Form. https://en.wikipedia.org/wiki/Delaunay_triangulation https://en.wikipedia.org/wiki/Voronoi_diagram https://processing.org http://toxiclibs.org http://www.trapcode.com http://www.flong.com/projects/zoo/